Nature Photography Articles

There are countless techniques that can be used today. But what fascinates me most is the story that a picture can tell. Every motif, every scene has its own narrative — the mood of a lonely forest path at night; the hidden world of small creatures in the undergrowth, like the silhouette of a mouse in the rain; or the quiet play of light and shadow at dusk. My aim is not just to create a picture but to capture a moment that awakens emotions and questions in the viewer, giving them a glimpse into a world that is often overlooked.

One of the most complex challenges is getting the subjects that I want to portray in that landscape to be in that dark sector where the flash will illuminate. When they are insects or small animals (amphibians or reptiles), it is not difficult since I can create the frame, leaving the subject in that darkness. But with more active mammals or birds, the challenge is more complex and I often use barriers for those cases.

One freezing winter afternoon, I took advantage of my time to look again at the book Genesis by Sebastiao Salgado. I stopped at his photographs of the black-browed albatross (Thalassarche melanophrys) and was mentally stuck there for months. Without realizing it, that afternoon my trip to the Falkland Islands had begun. After a year and a half, I was able to be there, among these wonderful birds that I admire so much.