In January I spent two weeks in Yellowstone. At the time I was feeling inspired… almost fired up! This was my first winter visit to Yellowstone trip since I created what is now my most well-known photo, and I found myself wanting to see what fresh, creative avenues I could explore in that vein that might produce other
Bill shares his thoughts on improving your photography portfolio by organizing into themes, by finding what you are passionate about to show off your vision.
Chris discusses why having an audience with whom to communicate and share our work, our ideas and emotions, is an integral part of the creative process.
Dan examines how photography can be both slow and calculated and also fast and unthinking. Or how some of his best images took 30 minutes to compose while others happened in a matter of seconds.
Eric shares ways to diversify your portfolio and not get stuck in one style of photography.
When I first took an interest in photographing wildlife, and specifically birds, the mental model of the shot I wanted to capture was modeled after the images I’d see in bird ID books. That meant great detail in the plumage, nice view of the important identification parts of the specific species, and of course, frame-filling.
Ed shows us how the edges of seasons are his favorite and can help you add depth to your portfolio.
I was inspired to begin In Layers because I was curious to learn how the dynamic nature of photographer’s lives impacted their artistry and the process of image creation. In this conversation with Colleen Miniuk, we discuss how her evolution is intersecting with her photography and writing, and how challenging perfectionism is changing how she
Dave shares how to get started as a wildlife photographer, and his advice may surprise you.